After the X-page activity, we discuss the first eleven pages of Scott McCloud’s chapter 1, “Writing With Pictures” from Making Comics. This chapter introduces students to McCloud’s five Choices of Clarity: choice of moment, choice of frame, choice of image, choice of word, and choice of flow (10). I place class copies of the Choices of Clarity and the Transitions on each table for students to reference as we discuss them (see below).
I love including comics in my writing class. First, it takes students out of their comfort zone, as Cathy Fletcher and Sarah Andrew-Vaughan advise in Writing Outside Your Comfort Zone. Second, it requires them to revisit a memory that creates a new “synaptic connection” in their brain, per Rick Huginer, a neuroscientist and husband of one of the authors of Your Brain On Art (11). So, I have students create a three-panel comic about their childhood learning moment from the x-page activity that has them revisiting a memory that helps them think about the details and pay closer attention to the most important parts of that childhood learning moment.


Because this is the same day as the X-page activity for their narratives, their choice of moment is already chosen, the childhood learning moment. We also discuss how these choices of clarity can relate to writing.
We then discuss the other four choices. As McCloud indicates choice of frame is like looking through a camera lens. Each panel can be close up or far away, or somewhere in between. For the choice of image, I emphasize that it is not about the drawing; I strongly encourage students to use stick figures and icons. For the choice of word, I remind them to make it as concise as possible. Last, the choice of flow for our three panels is left to right or top to bottom, depending on how they use the paper, either portrait or landscape. We then discuss how time passes between each panel using the six transitions; it will be moment-to-moment or scene-to-scene, which is a significant amount of time or space. I show them my example comic below, which illustrates a choice of moment, the first day of class. The transitions between each panel are both moment-to-moment and action-to-action. For the choice of word, I have used a thought bubble, a speech balloon, and a splash sound effect.
At this point, I explain that they are now going to create their own 3-panel comic, and I hand out plain paper to each student. I remind them that there are colored pencils in each group’s box that I placed on the tables at the beginning of class. I have students fold the sheet of paper in thirds to get them started. Then they write the title of the X-page Childhood Learning Moment at the top, along with their name. They have the last 15-20 minutes of class to draw.
Below is an example of a student’s first paragraph of their x-page narrative, and next to it is their 3-panel comic about that moment. At the bottom of the comic, I have then tell me what transitions they have used. This one says, subject-to-subject and scene-to-scene. I commented that it is actually moment-to-moment because scene-to-scene is a significant amount of time.

“On a sunny spring afternoon, I was sitting in my fifth grade classroom with my teacher pulling up a video on how to draw a bird. The lights were off and the bright but subtly light from the sun was coming through the window. All of us were silent as we excitingly awaited to start drawing with the paper in front of us and pencils in hand. ”
Most students will finish the comic by the time class ends; however, I give them extra time. Students take a photo of their finished comic and upload it to their Google Drive folder shared with me. When I’m assessing their “Who Am I” crot essays, I also read their comics and insert a comment. This first writing assignment is always fun to assess, and I learn a lot about my students.









































